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At The Edge Of The World / Empty Mind I / Groove!

Royal Flemish Philharmonic

At The Edge Of The World / Empty Mind I / Groove!

Format: SACD
Label: Royal Flemish Philharmonic
UPC: 0608917760323
Catnr: RFP 011
Release date: 11 March 2016
2 SACD
 
Label
Royal Flemish Philharmonic
UPC
0608917760323
Catalogue number
RFP 011
Release date
11 March 2016

"All the recordings are stupendous; one cannot imagine SACD or surround sound delivering anything more thrilling. Tejas made my 2012 Want List; Henderickx’s symphony and Groove! must do so in 2017. This is how I want the 21st century to sound.        "

Fanfare Magazine, 01-6-2017
Album
Artist(s)
Composer(s)
Press
EN
DE

About the album

Wim Henderickx, artist in residence of the Royal Flemish Philharmonic, is one of Belgium’s most prolific contemporary composers. He is known for a style that casts its net far beyond Western music. According to Gramophone Magazine, this process of creative osmosis does not lead to an eclectic or postmodern style, but rather to a clearly identifi able and internally
consistent musical organism, ‘as if he stood back and viewed the world from a great distance, studied its many cultural forms
and practices in detail, immersed himself fully in its musical styles and traditions, then carried on much as before.’
Following the successful release of his powerful and impressive orchestral work Tejas (hailed by Gramophone as ‘a veritable
Rite of Spring for the 21st century), the Royal Flemish Philharmonic is proud to present a new double album with more
orchestral music by Henderickx. The subtitle of his Symphony No. 1, At the Edge of the World (2011), is inspired by a sculpture
by Anish Kapoor, and is in itself a fi ve-movement refl ection on space and sound. This new recording goes along with the
percussion concerto Groove! (2012), which dynamically confronts percussive and orchestral forces, and the two alternative
versions of Empty Mind I (2013-2014), for oboe, orchestra and electronics. The Royal Flemish Philharmonic plays under Edo de Waart and Martyn Brabbins and is joined by percussion player Pieterjan Vranckx and oboist Piet Van Bockstal as soloists.
Royal Flemish Philharmonic präsentiert gemeinsam mit den Dirigenten Edo de Waart und Martyn Brabbins Kompositionen des belgischen Komponisten Wim Henderickx, der dort seit 2013 "Composer in Resident" ist.

Artist(s)

Antwerp Symphony Orchestra

The Antwerp Symphony Orchestra is the symphony orchestra of Flanders and is based in the new Queen Elisabeth Hall in Antwerp. Under the baton of Chief Conductor Elim Chan (from the 2019-2020 season) and Principal Guest Conductor Philippe Herreweghe the orchestra wants to move and inspire a large and diverse audience through top-level concert experiences. Thanks to its own series of concerts in large venues, the Antwerp Symphony Orchestra occupies a unique position in Flanders. The Antwerp Symphony Orchestra has also been a guest of some major foreign concert halls: the Musikverein and Konzerthaus in Vienna, the Festspielhaus in Salzburg, the Amsterdam Concertgebouw, the Suntory Hall and the Bunka Kaikan Hall in Tokyo, the Philharmonie of Cologne and Munich, the Palace...
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The Antwerp Symphony Orchestra is the symphony orchestra of Flanders and is based in the new Queen Elisabeth Hall in Antwerp. Under the baton of Chief Conductor Elim Chan (from the 2019-2020 season) and Principal Guest Conductor Philippe Herreweghe the orchestra wants to move and inspire a large and diverse audience through top-level concert experiences.

Thanks to its own series of concerts in large venues, the Antwerp Symphony Orchestra occupies a unique position in Flanders. The Antwerp Symphony Orchestra has also been a guest of some major foreign concert halls: the Musikverein and Konzerthaus in Vienna, the Festspielhaus in Salzburg, the Amsterdam Concertgebouw, the Suntory Hall and the Bunka Kaikan Hall in Tokyo, the Philharmonie of Cologne and Munich, the Palace of Art in Budapest and the National Grand Theatre of Beijing. International concert tours through Europe and Asia are a constant item on the yearly calendar.

Alongside its regular concerts, the orchestra attaches great value to developing educational and social projects, offering children, youngsters, and people with different social backgrounds the opportunity to get acquainted with the symphony orchestra from close quarters.

The Antwerp Symphony Orchestra collaborates with major classical music labels and several of the orchestra's CDs received acclaim by the professional press. The orchestra also curates its own label, focusing on the main orchestral repertoire, Belgian composers and contemporary music.


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Martyn Brabbins (conductor)

Martyn Brabbins was appointed music director of the English National Opera in 2016. An inspirational force in British music, Brabbins has had a busy opera career since his early days at the Kirov and more recently at La Scala, the Bayerische Staatsoper, and regularly in Lyon, Amsterdam, Frankfurt and Antwerp. He is a popular figure at the BBC Proms and with many of the UK’s top orchestras, and regularly conducts top international orchestras such as the Royal Concertgebouw Orchestra, Tokyo Metropolitan Symphony Orchestra and Deutsches Symphonie- Orchester Berlin. Known for his advocacy of new music and particularly of British composers, he has conducted hundreds of world premières across the globe. He has recorded over 120 CDs to date, including prizewinning discs...
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Martyn Brabbins was appointed music director of the English National Opera in 2016. An inspirational force in British music, Brabbins has had a busy opera career since his early days at the Kirov and more recently at La Scala, the Bayerische Staatsoper, and regularly in Lyon, Amsterdam, Frankfurt and Antwerp. He is a popular figure at the BBC Proms and with many of the UK’s top orchestras, and regularly conducts top international orchestras such as the Royal Concertgebouw Orchestra, Tokyo Metropolitan Symphony Orchestra and Deutsches Symphonie- Orchester Berlin.

Known for his advocacy of new music and particularly of British composers, he has conducted hundreds of world premières across the globe. He has recorded over 120 CDs to date, including prizewinning discs of operas by Korngold, Birtwistle and Harvey. He was associate principal conductor of the BBC Scottish Symphony Orchestra (1994–2005), principal guest conductor of the Royal Flemish Philhar- monic (2009–15), chief conductor of the Nagoya Philharmonic Orchestra (2012– 16) and artistic director of the Cheltenham International Festival of Music (2005– 07), and in 2016 was appointed visiting professor at the Royal College of Music.


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Edo de Waart (conductor)

Edo de Waart established a notable conducting career in the last third of the 20th century, becoming known for clear, exciting performances in a wide range of repertory. He came from a musical family, being the son of a choral singer. He studied oboe with Haakon Stotijn and also conducting at the Music Lyceum in Amsterdam. He became co-principal oboe of the Amsterdam Philharmonic in 1961 and associate principal of the Concertgebouw Orchestra in 1963. Meanwhile, he studied conducting, including a course with Franco Ferrara at Hilversum in 1964. This led to a debut with the Netherlands Radio Philharmonic in 1964. That same year he won the prestigious Dimitri Mitropoulos Conductors' Competition in New York, which resulted in a year-long appointment as an assistant conductor of the New York Philharmonic (1965-66). He became assistant...
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Edo de Waart established a notable conducting career in the last third of the 20th century, becoming known for clear, exciting performances in a wide range of repertory. He came from a musical family, being the son of a choral singer. He studied oboe with Haakon Stotijn and also conducting at the Music Lyceum in Amsterdam. He became co-principal oboe of the Amsterdam Philharmonic in 1961 and associate principal of the Concertgebouw Orchestra in 1963. Meanwhile, he studied conducting, including a course with Franco Ferrara at Hilversum in 1964. This led to a debut with the Netherlands Radio Philharmonic in 1964. That same year he won the prestigious Dimitri Mitropoulos Conductors' Competition in New York, which resulted in a year-long appointment as an assistant conductor of the New York Philharmonic (1965-66). He became assistant conductor of the Amsterdam Concertgebouw under Bernard Haitink in 1966. He made an impressive recorded debut with the Netherlands Wind Ensemble, which he founded in 1967, including classic recordings of Mozart wind music. He was also appointed co-music director of the Rotterdam Philharmonic with Jean Fournet, becoming sole music director when Fournet vacated his appointment in 1973. His association with the Rotterdam Philharmonic, which lasted until 1979, became noted for firm, exciting orchestral performances and intriguing choices of repertory. In 1975 he became principal guest conductor of the San Francisco Symphony Orchestra, and was elevated to music director in 1977. Although the orchestra was often capable of fine performances, it was variable and had weaknesses. De Waart lifted its standards, turning it into a consistently fine orchestra. In 1985 he conducted an acclaimed series of the complete Wagner Ring operas in San Francisco.
Over the years he has made many appearances as an opera conductor, including Bayreuth, Covent Garden, the Santa Fe Opera, Paris' Bastille Opera, and the Metropolitan Opera. He conducted the first recording of Adams' Nixon in China, which won a Grammy Award in 1988. In 1996 he debuted at the Salzburg Festival with Mozart's The Marriage of Figaro.
In 1993 he was appointed chief conductor and artistic director of the Sydney (Australia) Symphony Orchestra, and in August 1995 led it on its first European tour in 20 years. In 1996 he took it on its first tours of Japan and Taiwan, and in 1998, on an American tour. He was appointed artistic director of the Netherlands Dutch Radio and Television Organization, and chief conductor of the Netherlands Radio Philharmonic. At the beginning of the 1999-2000 season he began his tenure as chief conductor of the Netherlands Opera. In that year de Waart became music director of the Hong Kong Philharmonic, with his contract extended until 2012. He assumed responsibilities as musical director of the Milwaukee Symphony Orchestra in 2009. An advocate of modern and contemporary music, he has conducted the work of Reich, Torke, Wuorinen, and Britten.

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Composer(s)

Wim Henderickx

Wim Henderickx works as a composer, conductor, percussionist and professor of composition. His compositions are often inspired by other cultures. The Tantric Cycle is a seven-part composition series based on Oriental philosophy and Buddhism. Electronics are often an important feature in his oeuvre. Wim Henderickx has been Composer-In- Residence at Muziektheater Transparant since 1996. He joined the Antwerp Symphony Orchestra as an Artist-In-Residence in 2013. He is a professor of composition at the conservatories of Amsterdam and Antwerp and is also the main coach of the annual SoundMine composition course for young composers at Musica. His scores are published by Norsk Musikforlag A/S in Oslo. Henderickx was awarded both nationally and internationally for his work and in 2015 he was appointed member of the Royal...
more

Wim Henderickx works as a composer, conductor, percussionist and professor of composition. His compositions are often inspired by other cultures. The Tantric Cycle is a seven-part composition series based on Oriental philosophy and Buddhism. Electronics are often an important feature in his oeuvre.

Wim Henderickx has been Composer-In- Residence at Muziektheater Transparant since 1996. He joined the Antwerp Symphony Orchestra as an Artist-In-Residence in 2013.

He is a professor of composition at the conservatories of Amsterdam and Antwerp and is also the main coach of the annual SoundMine composition course for young composers at Musica.

His scores are published by Norsk Musikforlag A/S in Oslo. Henderickx was awarded both nationally and internationally for his work and in 2015 he was appointed member of the Royal Flemish Academy of Belgium for Sciences and Arts. He was also nominated for the ‘Composer of the Year’ prize in 2017 by the Norwegian Music Publisher’s Society.
He is currently working on an opera for Opera Ballet Vlaanderen and Muziektheater Transparant, a clarinet concerto for Annelien Van Wauwe commissioned by the BBC and Borletti- Buitoni Trust and a new major work for HERMESensemble.


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Press

All the recordings are stupendous; one cannot imagine SACD or surround sound delivering anything more thrilling. Tejas made my 2012 Want List; Henderickx’s symphony and Groove! must do so in 2017. This is how I want the 21st century to sound.        
Fanfare Magazine, 01-6-2017

Interesting for everyone, a must-have for music lovers.
Klassiek Centraal, 25-10-2016

juni - 2016
luister, 01-6-2016

klassieke zaken - juni 2016
klassiekezaken, 01-6-2016

Play album Play album
Disc #1
01.
Symphony No. 1, ‘At the Edge of the World’: I. Marsyas
03:48
(Wim Henderickx)
02.
Symphony No. 1, ‘At the Edge of the World’: II. Melancholia
07:00
(Wim Henderickx) Royal Flemish Philharmonic
03.
Symphony No. 1, ‘At the Edge of the World’: III. Svayambh
04:56
(Wim Henderickx) Royal Flemish Philharmonic
04.
Symphony No. 1, ‘At the Edge of the World’: IV. At the Edge of the World
08:17
(Wim Henderickx) Royal Flemish Philharmonic
05.
Symphony No. 1, ‘At the Edge of the World’: V. Leviathan
06:13
(Wim Henderickx) Royal Flemish Philharmonic
06.
Oboe Concerto, ‘Empty Mind I’ (for oboe, orchestra and electronics): I. Awakening
08:56
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga, Royal Flemish Philharmonic
07.
Oboe Concerto, ‘Empty Mind I’ (for oboe, orchestra and electronics): II. Without Desires
06:30
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga, Royal Flemish Philharmonic
08.
Oboe Concerto, ‘Empty Mind I’ (for oboe, orchestra and electronics): III. Ecstacy
04:07
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga, Royal Flemish Philharmonic
09.
Oboe Concerto, ‘Empty Mind I’ (for oboe, orchestra and electronics): IV. Contemplation
05:08
(Wim Henderickx) Jorrit Tamminga, Piet van Bockstal, Royal Flemish Philharmonic
10.
Oboe Concerto, ‘Empty Mind I’ (for oboe, orchestra and electronics): V. Secret Glance
03:18
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga, Royal Flemish Philharmonic
11.
Oboe Concerto, ‘Empty Mind I’ (for oboe, orchestra and electronics): Epilogue
05:23
(Wim Henderickx) Piet van Bockstal, Pieterjan Vranckx, Royal Flemish Philharmonic

Disc #2
01.
Groove! (for percussion and orchestra): I. 1001 Nights
06:37
(Wim Henderickx) Pieterjan Vranckx, Royal Flemish Philharmonic
02.
Groove! (for percussion and orchestra): Interlude 1
01:06
(Wim Henderickx) Pieterjan Vranckx, Royal Flemish Philharmonic
03.
Groove! (for percussion and orchestra): II. Into a Mystical World
11:14
(Wim Henderickx) Pieterjan Vranckx, Royal Flemish Philharmonic
04.
Groove! (for percussion and orchestra): Interlude 2
00:47
(Wim Henderickx) Pieterjan Vranckx, Royal Flemish Philharmonic
05.
Groove! (for percussion and orchestra): III. Black Magic
09:40
(Wim Henderickx) Pieterjan Vranckx, Royal Flemish Philharmonic
06.
Empty Mind I (for oboe and electronics): I. Awakening
05:44
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga
07.
Empty Mind I (for oboe and electronics): II. Without Desires
03:49
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga
08.
Empty Mind I (for oboe and electronics): III. Ecstacy
04:17
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga
09.
Empty Mind I (for oboe and electronics): IV. Contemplation
03:33
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga
10.
Empty Mind I (for oboe and electronics): V. Secret Glance
02:40
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga
11.
Empty Mind I (for oboe and electronics): Epilogue
04:13
(Wim Henderickx) Piet van Bockstal, Jorrit Tamminga
show all tracks

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